Peace Breaks Out

(A more accurate representation of the color can be found here.)

A peace treaty in the War of Morrigan was signed on Saturday October 13, 2007. The war lasted about 6 months. Battle was difficult because Morrigan fought dirty with chart errors, non-errors, and ambiguities (discussed below). My battle plan was further complicated by row-gauge issues that I never discussed in this blog. Those gauge issues resulted in much math. In the end, I was victorious having knit, purled, cabled, and calculated the pattern into submission.

The war was not without injuries, though. The tendonitis in my left hand has gotten significantly worse since I started Morrigan. It progressed from occasional stabs of pain in the back of my left hand to shooting, long-lasting, whimpering-inducing pain in my hand and forearm. It was particularly bad during the last few days of knitting when I was feverishly trying to finish.

At times, I completely abandoned my fight, preferring to work on projects that either used larger needles, consumed less yarn, or required less mental effort. In the time between cast-on and finishing of Morrigan I finished:

1 vest for Peter (started before I cast on for Morrigan)
2 baby-sized super secret projects for Kristen
1 adult-sized super secret project for Kristen (not blogged or even photographed)
1 pair of adult socks
1 lace shawl
1 crocheted cap
1 baby sweater and hat set
1 bunny
1 mouse
1 bear
1 sweater for me

The Stats:
Pattern: Morrigan by Jenna Wilson in No Sheep for You, size small
Yarn: Rowan Calmer, 75% cotton, 25% microfiber, color 462 Chiffon, 11 balls
Needles: 2.75 mm and 3.25 mm (US sizes 2 and 3)

Modification 1: I changed the depth of the armholes because my row gauge was too large. The wonky row gauge meant that my sleeve cap would be taller than it should be. I couldn’t modify the sleeve cap, so I had to modify the armhole. (Why I couldn’t modify the sleeve cap and how I calculated the correct depth of the armholes is a long story. Email me for the gory details.)

Modification 2: I lengthened the sleeves by 4 cm. When my arms hang down at my sides, the cuffs cover the base of my hand. But when I stick my arms out straight, the cuffs end perfectly at my wrist. That’s the way that I like my sleeves.

Comments:
I’ve already made a lot of comments about this pattern. Why not add a couple more?

1) Forgive me Amy Singer for what I’m about to say. If I could wave a magic wand, I would change the yarn in this sweater into fingering- or sport-weight 100% merino wool. I think the pattern would have been easier to work in wool and I think the end result would look nicer in wool. Calmer is a wonderful yarn, but I think I’ll stick with wooly cables from now on.

(Notice I said, “If I could wave a magic wand.” I didn’t say, “If I knit this again” or “If I could do it all over.” As wonderful as this sweater is, I will never, ever knit it again.)

2) And a final word about the pattern. The instructions for the sleeve bind-off is a bit ambiguous. You work four short rows and then the instructions say to bind off all stitches loosely. Well, when you finish the short rows, a little more than half of the live stitches are on the left needle and a little less than half of the live stitches are on the right needle. You can’t just bind off the stitches.

I worked across the stitches on the left needle (hiding the wraps on those stitches), turned the work to the wrong side, and bound off all the stitches (hiding the remaining wraps). I emailed Jenna to confirm that that was what I should do she said that it was just one of three alternatives.
Alternative 2: Break yarn after the short rows, put all stitches on the left needle, join a new yarn at the beginning of the right-side row and bind off all the stitches. This alternative would work fine, but you would have more ends to weave.

Alternative 3: After the short rows, place all stitches on a piece of waste yarn, and GRAFT (not sew, graft) the live stitches to the shoulder seam. This, in fact, was what Jenna intended but it was changed to a bind-off by the book editors. I did attempt this, but after grafting ¼ of the stitches on the first sleeve, I decided it was too aggravating for the raw and harried state of my nerves.

Parting words of thanks:
A big THANK YOU to Jenna Wilson for all her help with Morrigan. I sent her many emails and she always answered in a gracious and timely manner even though most of my emails were pointing out problems with the pattern.

Thank you also to Karen Frisa, the tech editor of the pattern, for her willingness to comb over the intricacies of the pattern with me.

And finally, thank you to everyone who has cheered me on through this long journey. Your words of encouragement helped motivated me to keep pushing on.

Aperture and Depth of Field

Teaser Trailer:
Coming tomorrow (assuming the weather cooperates for the photos): The end of the Morrigan Saga. Yes, she's finished.

Featured Presentation:
This week's lesson: Use aperture to change the depth of field on photos.

Assignment 1: Use a large aperture to isolate a subject by making the background blurry. I'm thinking about trying some Scout photos, but I haven't gotten around to it yet. I did head to the garden center to try some flower photos. The one shown below is my favorite, though it may not be the best of the bunch. The rest can be seen on my Flickr page.

Assignment 2: Use a small aperture to show a large (deep? long?) depth of field. The class instructor said to have something "interesting" in the foreground but also have things in focus in the background. I thought the alligator below would make a good photo, but was a bit disappointed when I went for the photo shoot.

I couldn't really get a good angle on the alligator. I couldn't move to the left because there was a large utility box there. If I went to the other side of the utility box, the background became less interesting and the huge Starbucks logo became visible.

If the weather cooperates tomorrow, I'll head out to a sculpture garden. I should have gone there in the first place, but I remembered that it existed only today. And it's raining today.

A Picture Worth . . .

. . . much more than 1,000 words.

Playing with Shutter Speed, Week 2

This week's assignment was to use long shutter speeds in night photography. We didn't have any other specific instructions. So I decided to do one "traditional" shot and one showing moving lights.

On the way home for class last week, I spotted the fantastic neon sign shown below. I went to the restaurant three times to take photos. (The sign wasn't fully lit up the first night that I went out.) Thankfully, no one came out of the restaurant and told me that I couldn't take photos.

For the second photo, I wanted to get Houston's downtown skyline in the background with streaks of light from car headlights and taillights in the foreground. The challenge was finding a place to take the photo. I knew I had to find a bridge close to downtown that had a sidewalk large enough to set up a tripod and didn't have an obstructed view. Unfortunately, I don't know the roads around downtown very well because I don't like to drive there. But fortunately, I found this photo on Flickr and was able to blatantly rip it off. Here's another version where I got more headlight streaks than taillight streaks. The headlights are a bit too blown out.

More Morrigan Errors

Another quickie, photoless post.

Morrigan is in the home stretch. I've finished the sleeve increases and am working toward the sleeve cap.

I found two more errors in the pattern.

1) After completing the sleeve increases, the pattern says to repeat rows 19–24 or 7–12 (depending on size) of charts R3 and L3 until the sleeve is the right length. You should repeat rows 17–24 or 5–12 to keep the pattern correct.

2) Row 23 of chart L3 is missing a cable crossing. The position and type of the cable crossing should be obvious to anyone who has gotten that far on the sleeve.

A yarn for all the Eph knitters out there

Most knitters know Webs--the huge yarn store and mail-order wearhouse near that other college. Webs has its own yarn line called Valley Yarns. The names of Valley Yarns are taken from towns and cities in Massachusetts. For some time now I've been pouting because there wasn't a yarn named after Williamstown. Pouting time is over. This is how Webs describes the new yarn:

Williamstown takes it’s name from the college town in the Berkshires that tourists and natives love for the quaintness of its buildings and greenery, and the happy surprise of the sophistication that is found in those buildings. Our yarn is much the same, a seemingly straightforward wool/acrylic blend with little surprises of color in each strand. Take it with you for vacation knitting as you tour colleges or go leaf-peeping.

As soon as I find a pattern to make with this yarn I'm buying a bunch. Sadly, none of the yarns are very purple.

Playing with Shutter Speed, Week 1

This week’s assignment: show motion by adjusting the shutter speed. A three-part assignment.

Part 1: Use the panning technique to show motion.

Reason #3,948,023 that I love Peter. Peter generally prefers to run in the morning before the sun comes up. And when it is hot outside, he doesn’t wear a shirt or a hat while running. But this weekend, he dressed in the clothes that I picked out and went running in the park so I could take panning photos. My wonderful husband ran back and forth on a path in the middle of the day while I took his photo over and over again. And he never complained once. He even said he’d go out again if I didn’t get a good photo.

Part 2: Use a short shutter speed to freeze motion.

My original plan for this photo was to have Scout jumping for one of her toys. She and I “practiced” for days. Unfortunately, our “practice” sessions consisted of me throwing the ball in the air and Scout watching it and swatting it once it hit the ground. So I had to go the dog park. I’m not sure which dog photo to take to class. The one shown was the one that was the most in focus. But this one seems to tell a better story because you can see the toy that the dog is jumping after. Plus, the dog made a splash when it jumped.

Part 3: Use a long shutter speed to show motion with a blur.

I’m in agony about this one. I took a nice photo the first night I went out, but it was overexposed and grainy. The next time I went out I got a better exposure, but the composition of the photo was not as good (photo is shown). I took daytime photos as well. I’m seriously thinking about going out there a fourth time tonight to take MORE photos. (Technically, night photography is the next lesson, but the daytime photos are simply not as dramatic.)

More photos can be seen on my Flickr page.